 |


© 1998 Sunrise /
Bandai Visual
BEAL-1237
¥6000
50 minutes





 |
 |


—by Charles McCarter
Over a year and a half ago, Tomino Yoshiyuki, creator of GUNDAM, announced
that he was going to start work on a new mecha show that would outdo EVANGELION.
Rumors flew about what it would be about, who would work on it, and even
where and when it would air.
When the dust settled, a pretty amazing production crew had been assembled.
Character designs were done by Inomata Mutsumi (WINDARIA, UTSUNOMIKO),
while the mechanical designs were created by Nagano Mamoru (FIVE STAR
STORIES). And meanwhile, the music was to be composed by the name
synonymous with amazing anime BGM, Kanno Youko (MACROSS PLUS, ESCAFLOWNE).
With such a dream team on production, this could surely be the start of
something big.
Well, fans in America, and many of those in Japan, have had to wait until a
couple of weeks ago to see BRAINPOWERD (yes, that's the correct spelling)
because it was on the satellite network WOWOW. But from what we had all
been able to see in the magazines, it looked pretty impressive. The
character designs were nice, and the mecha designs were very different from
other shows out there.
So I sat down to watch the first episode, and the opening credits started.
All of a sudden, there's a naked woman on the screen. Okay, it's like a
JAMES BOND style opening, I think. The credits continue, and now there are
a lot of naked women floating across the screen. They float over
the landscape like giant balloons in the Macy's Thanksgiving Day Parade. It
seems to shout, "Look at this show!"
So on to the episode. Hime, a teenage girl, is walking with a group of
orphans through the streets when suddenly a big metal disk crashes to the
ground. Out from this disk comes a flurry of light and a mecha
materializes. Hime recognizes it as an antibody; she's only ever seen them
on television. This particular antibody, however, seems to be calling to
her, so she gets in the cockpit. No sooner does she do this than two other
mecha show up. The pilots, one a fiery guy named Yuu, demand that she
return the mecha. She refuses, saying that it called to her, and a battle
ensues. She easily wards off their attacks and carries her orphan friends
home to safety.
Then a year passes. Hime has joined the Novus Noa organization in its fight
against Orphan. Not much has changed, though. She and Yuu seem to share
an uneasy relationship at best. We learn that the mecha are really organic
devices.
The story seems to be getting off to a very slow start. Plus, it feels like
we've seen it all before. The pilot who can fly the mecha without ever
having seen it before, the orphans, the fighting, the angst and melodrama.
It's like GUNDAM without a Gundam. And it's not even exciting.
The production values are ok, but not great. The animation is decent, but
not amazing. And, surprisingly, the same can be said of the BGM, which
tries too hard to fit the strange techno-organic world of BRAINPOWERD. And
there is a gratuitous amount of CG. So much so that sometimes it becomes
distracting; anime fans may not care for this.
The mecha are the only things to salvage this show. The designs look
unique, and the weapons and devices they use are different from most other
anime out there. While the idea of them being bio-mechanical creatures is
not unique, it certainly gives BRAINPOWERD a much-needed shot in the arm.
I hope that the mysteries surrounding the mecha become the focus of the
story, rather than the angsty romantic triangles that seem ready to spring
up all over.
I wanted to like this show—I really did. And it didn't do anything
that was truly horrible. The art was good, the music was ok, the story
seemed to be a rehash but it had potential. But after all the hype, I felt
completely underwhelmed. BRAINPOWERD is off to a very slow start, and if
it doesn't improve, it will be relegated to the halls of mediocrity in a year
or two's time.  |
 |